For information on re-use, please refer to the publisher's terms and conditions. This version is the author accepted manuscript. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.hoose this option to get remote access when outside your institution. Description: Microcosm forms part of Miao Xiaochuns Renaissance Trilogy. Microcosm renaissance Shibboleth / Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic. Macrocosm, Microcosm and the Circulation of the Blood: Bruno and HarveyĪn open access version is available from UCL Discovery BACK TO ARTISTS NEXT MIAO XIAOCHUN WORK: Microcosmos + Microcosmos. One thing Bruno and Harvey have in common is a strong reliance on a macrocosm-microcosm analogy between the human body and the earth’s weather cycle to support their views on the circulation. As we shall see, matters are not as clear cut as these positions might suggest, and the aim of this chapter is to steer a course between these two extremes. However, being less generous to Bruno, we might see his comments as nothing more than speculation employing a macrocosm-microcosm analogy, with little to do with Harvey’s scientific discovery. As Bruno made them well before the work of Harvey, we might give him at least some of the credit for the discovery of the circulation. The Gnali Shipwreck: Microcosm of the Late Renaissance World // 2016, Croatia at the Crossroads - A consideration of archaeological and historical. Being generous to Bruno, we might see these remarks as the first clear statement of the rapid circulation of the blood. By the English Renaissance, historians of literature mean the period. Giordano Bruno consistently asserted that the blood flows rapidly in a circle. Robert Fludd (History of the Macrocosm and the Microcosm, 2 volumes, 1617-19).
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